Kelly Hall-Tompkins serves up soup for the soul and music for the heart

Appearing at The O鈥橲haughnessy as part of Katie Leadership Impact, the internationally acclaimed violinist shared a blend of activism and performance.
Close-up of Kelly Hall-Tompkins performing violin onstage in front of black background

Kelly Hall-Tompkins performed and spoke at The O'Shaughnessy as part of the Women of Color Leadership Series last week.

When she was in elementary school, Kelly Hall-Tompkins knew with startling, singular clarity what she wanted to do with her life. Her goal 鈥 being a concert violinist 鈥 already seemed unreachable at the age of 9: most classical violinists begin studying the instrument as early as age three. But she stuck with it, practicing tirelessly, seeking out mentors and eventually climbing to the top of the classical music world.

That kind of focused ambition fueling her musical career is just what she wants to inspire in others, Hall-Tompkins told the audience gathered at 91制片厂鈥檚  auditorium on February 27. Hall-Tompkins performed violin with a quartet and spoke as part of the Women of Color Leadership SeriesKatie Leadership Impact programming that showcases high-profile leaders, sharing their stories, talents, and insights, and connecting students with role models who embody the promise of meaningful global change.

鈥淚 listened to the voice within myself,鈥 Hall-Tompkins said. 鈥淚 played for the joy of playing.鈥 Her inner focus and the joy she found in the violin propelled her to the top of her profession. She has won the Naumburg International Violin Competition Prize and the Sphinx Medal of Excellence, and is featured in the Smithsonian鈥檚 National Museum for African American History and Culture.

In 2016, Hall-Tompkins played the part of the Fiddler in the Grammy and Tony award-nominated 50th anniversary Broadway revival of Fiddler on the Roof. Hall-Tompkins鈥 Women of Color Leadership Series performance was a review of the Broadway production that included new arrangements of the classic score. At The O鈥橲haughnessy, Hall-Tompkins was accompanied by an ensemble of three musicians 鈥 Joshua Camp on accordion, Stephen Benson on guitar, and Michael Blanco on double bass.

The quartet played masterful, unique renditions of several Fiddler songs, including 鈥淒o You Love Me?鈥 and 鈥淢atchmaker.鈥 Though the musical was created over half a century ago, its songs capturing struggle, resilience, and community continue to carry lasting meaning for many people, Hall-Tompkins said 鈥 adding that productions of Fiddler were continuously performed somewhere in the world from 1964 until the pandemic shut down theaters in 2020. 鈥淭here is such a broad need in the world for this kind of musical,鈥 she said. 鈥淚ts message resonates.鈥 

Three St. Kate鈥檚 students at the performance 鈥 Victoria Lo 鈥26, Nesteho Abdi 鈥27, and Elianna Johnson 鈥28 鈥 said they were moved by Hall-Tompkins鈥 mastery of her instrument. 鈥淪he鈥檚 such an amazing, accomplished artist,鈥 said Lo, who teared up when Hall-Tompkins performed an original adaptation of 鈥淧ure Imagination,鈥 from the 1971 film Willy Wonka and the Chocolate Factory. And when Hall-Tompkins performed a final curtain call, her unique take on Taylor Swift鈥檚 鈥淪hake it Off,鈥 Lo, Abdi, and Johnson laughed in recognition as they swayed to the tune.

During a break in the music, Hall-Tompkins, wearing a strapless, flowy dress she said she had selected because it was 鈥淪t. Kate鈥檚 purple,鈥 took a moment to recognize the 鈥済reat, great, great cities of Minneapolis-St. Paul鈥 and their commitment to their communities. 鈥淭hank you for all that you have done,鈥 Hall-Tompkins said. 鈥淚 see you. The world sees you.鈥

Her own commitment to helping others in difficult times is evident in, a nonprofit she founded two decades ago that brings emerging and established musicians together to perform for homeless shelter clients in New York City, Los Angeles, and other cities worldwide. She explained that her art propels her activism and her community service, adding that in her work at Music Kitchen, she sees the positive impact music has on shelter clients 鈥 and on the classical musicians who play for them. 鈥淚 continue to be inspired by the energy that music brings,鈥 she said.

Four people stand behind a soup buffet table

Sara Zafar 鈥27 (second from left) led this year鈥檚 Empty Bowls event in collaboration with the St. Kate鈥檚 Clay Club and the St. Kate's/CSJ Food Access Hub.

Soup for the soul

Inspired by Hall-Tompkins and Music Kitchen, St. Kate鈥檚 students collaborated with Katie Leadership Impact to support community members facing food insecurity through the , now in its 15th year at the University. Before the performance, student volunteers served soup in bowls created by campus volunteers.

Nursing major Sara Zafar 鈥27 led this year鈥檚 Empty Bowls event in collaboration with the St. Kate鈥檚 Clay Club. She said that she and her fellow volunteers felt that the event was the perfect match for Hall-Tompkins鈥 performance.

鈥淪ince her side is music and ours is ceramics, we are mixing our art forms to address food insecurity in our communities,鈥 Zafar said. 鈥淲e thought it would be a perfect opportunity if we came together to create a joint event.鈥

In Empty Bowls gatherings, soup and the bowls are offered to guests for free, though community members are asked to make a financial contribution that is then donated to local food-based nonprofits. The proceeds from the Katie Leadership Impact event will go to support the St. Kate鈥檚/CSJ Food Access Hub, a free food and toiletry resource for students and St. Kate鈥檚 community members.

Many St. Kate鈥檚 students experience food insecurity, Zafar said, and so supporting the Food Access Hub with the Empty Bowls event made sense. 鈥淔or me personally, seeing how food insecurity has affected so many people in the world is significant,鈥 she said. 鈥淚 personally use the Food Access Hub. Most of my friends use the Food Access Hub. This is a way I can help in my own community. The experience is valuable to me.鈥

 

Photos by Rebecca Zenefski Slater 鈥10